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In only his third film, Spike Lee created a classic that is both socially relevant and artistically accomplished. By focusing the actions at one region in one day, this film reminds us that accelerate relation cannot be improved if we don’t improve the plan each one of us interacts with everyone else. The film’s finale is considerable for its echos of right events that occurred not long before the film was made, and its prescience of events to follow. It is an unforgettable movie scene that shows how intolerance can victimize everyone. Nevertheless, the apocalyptic vision of the final scene did not sit well with some critics. Is it a call to extinguish violence or to commence violence, they asked. In the film Lee seems to say there are no easy answers.
Somewhat overlooked is the fact that the film also makes interested observations of lives of American unlit underclass, especially in the portrayals of the “cornermen”. Their exchanges are as comic as they are trenchant in commenting the region of affairs of lower-class blacks. And through them, Lee takes the uncompromising dwelling that sometimes the underprivileged can also be victims of their possess mentalities.
Also, Lee subtlely shows the many faces of racial intolerance. While Sal’s son Pino overtly hates blacks, and Buggin’ Out is overtly intolerant of whites, but is the attitude of Sal himself really conducive towards racial harmony? Does he have a desire to accumulate to know his neighbors, or does he simply want to “have no danger with these people”, as he puts it? By leaving this aspect ambiguous, Lee makes us believe unbiased what IS the upright thing to do…
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Despite all the criticisms against him, I bear Lee tackled the difficult subject as intelligently as any director could have done.
The Criterion DVD contains most of the supplements in the Criterion laserdisc released in 1995 — audio commentaries, cast meetings and camouflage tests, ‘Making Of’ documentary. Original supplements include Lee’s press conference at the ‘89 Cannes festival, video interview with editor Barry Brown, “Fight the Power” music video, and a video segment showing the filmmakers re-visiting the Bed-Stuy neighborhood.
The DVD’s video quality is characterized by deep, rich, saturated colors which cinamatographer Ernst Dickerson so brilliantly captured in order to gain a feeling of overwhelming heat (literally and figuratively) . There is a Dolby Digital 2.0 audio track (Prologic-decodable to surround), and a PCM stereo track that actually sounds brighter and crisper than the DD track.
Spike Lee’s 1989 film Do The Upright Thing is among a handful of films that rise above the level of exact entertainment. It is thought-provoking, educational gawk of speed relations. The film takes position during one extremely hot day in the Bedford-Stuyvesant part of Brooklyn. The neighborhood is predominately dismal, but the film centers around a pizzeria owned by Sal (Danny Aiello) who is white. All of Sal’s customers are the dark, but on his wall he has pictures of white film and music stars. This is a source of irritation to some customers, especially the radically minded Buggin’ Out (Giancarlo Esposito) . But Sal refuses to change and he goes about his business. Sal’s two sons, Pino (John Turturro) and Vito (Richard Edson) also work at the pizzeria as does Mookie (Mr. Lee) who is Sal’s delivery boy. Pino is highly bigoted and isn’t haunted to let his opinions be know, while Vito is more sensitive and adverse to confrontation. Staunch life husband and wife Ossie Davis & Ruby Dee appear as the neighborhood elders, Da Mayor & Mother Sister who are constantly trading comic barbs at one another while dispensing advice to the locals. Other bright characters such as Radio Raheem, Sweet Dick Willie & DJ Mister Senor Care For Daddy are featured throughout the film. Mr. Lee does a quick-witted job of conveying the shameful heat that has overtaken the neighborhood. You can almost feel the heat while watching the film. Tensions also slowly rise through the film until the climatic riot scene where Sal’s pizzeria is burned down, started by Mookie throwing a garbage can through the window. This is particularly devastating to Sal as he genuinely cared for Mookie and can’t gain Mookie would do this to him. Mr. Lee’s message in the film is that one doesn’t know exactly what the fair thing is. He illustrates this by the messages of Martin Luther King, Jr. and Malcolm X. Dr. King was for a aloof solution to racism while Malcolm X said to fight for equality by any means well-known. Is passively sitting assist fair or is violence lawful? Mr. Lee never answers the put a question to, which is exactly his point. Do The Proper Thing was shunned at the 1989 Academy Awards garnering only a nomination for Mr. Aiello (which was richly deserved) in the Best Supporting Actor category. Ironically the film that won Best Characterize was Driving Miss Daisy which was the stereotypical Hollywood portrayal of blacks as subservient workers and the type of film that Mr. Lee’s pictures were the antithesis of. All in all, Do The Suitable Thing is a bright movie and one that deserves all the accolades that it received.
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